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Afghanistan: Zeus / Serapis / Ohrmazd with Kushan worshipper, Bactria, 3rd Century CE. The Kushan Empire was originally formed in the early 1st century CE under Prince Kujula Kadphises in the territories of ancient Bactria on either side of the Oxus River in what is now northern Afghanistan, southern Tajikistan and Uzbekistan.<br/><br/> The Kushan kings were a branch of the Yuezhi confederation (possibly intermarried with local families) and they had diplomatic contacts with Rome, Persia and Han China. The empire declined from the 3rd century and fell to the Sassanid and Gupta empires.
Afghanistan: Kushan worshipper and the deity Pharro, Bactria, 3rd Century CE. The Kushan Empire was originally formed in the early 1st century CE under Prince Kujula Kadphises in the territories of ancient Bactria on either side of the Oxus River in what is now northern Afghanistan, southern Tajikistan and Uzbekistan.<br/><br/> The Kushan kings were a branch of the Yuezhi confederation (possibly intermarried with local families) and they had diplomatic contacts with Rome, Persia and Han China. The empire declined from the 3rd century and fell to the Sassanid and Gupta empires.
Maximian (250-310) was born in the province of Pannonia to a family of shopkeepers, and joined the army as soon as he could, serving alongside future co-emperor Diocletian under emperors Aurelian, Probus and Carus. After Diocletian became emperor in 284, Maximian was soon appointed co-emperor in 286, matching Maximian's military brawn with Diocletian's political brain.<br/><br/> Maximian spent most of his time on campaign, fighting against the Germanic tribes along the Rhine frontier and in Gaul. When the man Maximian had appointed to govern the Channel shores, Carausius, rebelled in 286 and seceded Britain and northwestern Gaul from the Roman Empire, Maximian tried but failed to oust Carausius. The rebellion was eventually crushed in 296, and Maximian moved south to fight pirates near Hispania.<br/><br/> He eventually returned to Italy in 298, living in comfort until he abdicated in 305 alongside Diocletian, handing power to the other two co-emperors of the Tetrachy, Constantius and Galerius, and retiring to southern Italy. Maximian returned to power in 306 when he aided his son Maxentius' rebellion. He later tried to depose his son but failed, fleeing to the court of Constantius' successor, Constantine. He was forced to renounce his title by Diocletian and Galerius, and he committed suicide in 310 after a failed attempt to usurp Constantine's title.
Severus Alexander (208-235 CE) was cousin to Emperor Elagabalus, and his heir apparent. When Elagabalus was assassinated in 222 CE, the fourteen-year-old became emperor, under the auspice of his grandmother Julia Maesa, who had arranged for Alexander's accession just as she had done with Elagabalus before him.<br/><br/> Alexander quickly did much to correct the domestic troubles Elagabalus had caused, cleaning up the image of the imperial throne and improving the morals and dignity of the state. His reign was considered prosperous, but militarily, the Empire was faced against the rising threat of the Sassanid Empire in the east, as well as the tribes of Germania. It was during his campaign against the latter that Alexander would meet his end. His attempts to negotiate peace with the Germanic tribes through bribery and diplomacy alienated many in the Roman Army, and ultimately led to his assassination in 235 CE.<br/><br/> His death saw the end of the Severan dynasty and marked the beginning of the Crisis of the Third Century, which resulted in nearly 50 years of civil wars, foreign invasions and economic collapse throughout the Empire.
Elagabalus (203-222 CE), also known as Heliogabalus, was a Syrian and a member of the Severan dynasty. Elagabalus was the grandson of Julia Maesa and cousin to Emperor Caracalla. When Caracalla was assassinated in 217 CE, Julia Maesa instigated a revolt against his killer and successor, Macrinus, championing Elagabalus as emperor. Macrinus was defeated and executed in 218 CE, and Elagabalus was proclaimed emperor at barely 14 years old.<br/><br/> His reign was notorious for its numerous religious controversies and sex scandals, with Elagabalus showing a marked disregard for traditional Roman religious and sexual values. He was said to have had been married as many as five times, had many male lovers, and was even reported to have prostituted himself in the imperial palace. He developed a reputation for extreme decadence, eccentricity and zealotry to the god he was named after, Elagabalus, and whom he declared the new head of the Roman pantheon.<br/><br/> His actions and behaviour estranged both commoner and Praetorian Guard, and after four years of rule, Elagabalus was assassinated in 222 CE at the age of 18. The plot was orchestrated by Julia Maesa, the same grandmother that had placed him on the throne, and carried out by the Praetorian Guard, with his cousin Severus Alexander replacing him as emperor. Elagabalus developed one of the worst reputations among Roman emperors in history.
Elagabalus (203-222 CE), also known as Heliogabalus, was a Syrian and a member of the Severan dynasty. Elagabalus was the grandson of Julia Maesa and cousin to Emperor Caracalla. When Caracalla was assassinated in 217 CE, Julia Maesa instigated a revolt against his killer and successor, Macrinus, championing Elagabalus as emperor. Macrinus was defeated and executed in 218 CE, and Elagabalus was proclaimed emperor at barely 14 years old.<br/><br/> His reign was notorious for its numerous religious controversies and sex scandals, with Elagabalus showing a marked disregard for traditional Roman religious and sexual values. He was said to have had been married as many as five times, had many male lovers, and was even reported to have prostituted himself in the imperial palace. He developed a reputation for extreme decadence, eccentricity and zealotry to the god he was named after, Elagabalus, and whom he declared the new head of the Roman pantheon.<br/><br/> His actions and behaviour estranged both commoner and Praetorian Guard, and after four years of rule, Elagabalus was assassinated in 222 CE at the age of 18. The plot was orchestrated by Julia Maesa, the same grandmother that had placed him on the throne, and carried out by the Praetorian Guard, with his cousin Severus Alexander replacing him as emperor. Elagabalus developed one of the worst reputations among Roman emperors in history.
Geta (189-211 CE) was the younger son of Emperor Septimius Severus, born in Rome during the reign of Emperor Commodus. Geta fought often with his older brother Caracalla, and would require the mediation of their mother Julia Domna. Septimius Severus named Geta 'Augustus' in 209, making him a co-emperor alongside Caracalla, who had been named co-emperor over 10 years ago, in 198 CE.<br/><br/> Septimius Severus died in early 211 CE, with Geta and Caracalla declared joint emperors and ordered back to Rome. Their hatred and rivalry of one another did not abate though, and there were even talks about splitting the empire in two halves so that they could rule peacefully, before their mother talked them out of it. The situation became so hostile that Carcalla tried to unsuccessfully murder Geta once, before finally succeeding a second time when he had his mother arrange a peace meeting and having his centurions murder Geta in his mother's arms.<br/><br/> After Geta's death, Caracalla had him declared 'damnatio memoriae', with every statue, portrait or painting of him destroyed, and his very name was banned from being spoken or written. Over 20,000 people were killed on Caracalla's orders after he attempted to remove any political enemies and those he considered allies of Geta.
Born as Lucius Septimius Bassianus (188-217 CE) but renamed Marcus Aurelius Antoninus after his father's union with the families of the Nerva-Antonine dynasty, he gained his agnomen Caracalla from a Gallic hooded tunic which he often wore. Eldest son of Emperor Septimius Severus, he reigned jointly with his father from 198 CE until his father's death in 211 CE. He then became joint emperor with his younger brother Geta, but he quickly murdered his brother less than a year into their joint rule.<br/><br/> Caracalla's reign was marked by continued assaults from the Germanic peoples as well as constant domestic instability. Caracalla was famed for enacting the Edict of Caracalla, also known as the Antonine Constitution, which granted Roman citizenship to almost all the freemen living throughout the Empire. He was also known for his establishment of a new Roman currency, the <i>antoninianus</i>, as well as building the Baths of Caracalla, the second largest in Rome. In terms of infamy, Caracalla was known for his massacres against the Roman people and other citizens of the Empire.<br/><br/> Caracalla's reign ended in 217 CE, after he had instigated a new campaign against the Parthian Empire. Caracalla had stopped briefly to urinate when a soldier approached him and stabbed him to death, incensed by Caracalla's refusal to grant him the position of Centurion. Caracalla would be posthumously known for his savage cruelty and treachery, as well as for murdering his own brother and his brother's supporters.
Born as Lucius Septimius Bassianus (188-217 CE) but renamed Marcus Aurelius Antoninus after his father's union with the families of the Nerva-Antonine dynasty, he gained his agnomen Caracalla from a Gallic hooded tunic which he often wore. Eldest son of Emperor Septimius Severus, he reigned jointly with his father from 198 CE until his father's death in 211 CE. He then became joint emperor with his younger brother Geta, but he quickly murdered his brother less than a year into their joint rule.<br/><br/> Caracalla's reign was marked by continued assaults from the Germanic peoples as well as constant domestic instability. Caracalla was famed for enacting the Edict of Caracalla, also known as the Antonine Constitution, which granted Roman citizenship to almost all the freemen living throughout the Empire. He was also known for his establishment of a new Roman currency, the <i>antoninianus</i>, as well as building the Baths of Caracalla, the second largest in Rome. In terms of infamy, Caracalla was known for his massacres against the Roman people and other citizens of the Empire.<br/><br/> Caracalla's reign ended in 217 CE, after he had instigated a new campaign against the Parthian Empire. Caracalla had stopped briefly to urinate when a soldier approached him and stabbed him to death, incensed by Caracalla's refusal to grant him the position of Centurion. Caracalla would be posthumously known for his savage cruelty and treachery, as well as for murdering his own brother and his brother's supporters.
Palmyra was an ancient city in Syria. It was an important city in central Syria, located in an oasis 215 km northeast of Damascus and 180 km southwest of the Euphrates at Deir ez-Zor. It had long been a vital caravan city for travellers crossing the Syrian desert and was known as the Bride of the Desert.<br/><br/> The earliest documented reference to the city by its Semitic name Tadmor, Tadmur or Tudmur (which means 'the town that repels' in Amorite and 'the indomitable town' in Aramaic) is recorded in Babylonian tablets found in Mari.
The ruins of Niya (simplified Chinese: 尼雅遗址; traditional Chinese: 尼雅遺址; pinyin: Níyǎ Yízhǐ), is an archaeological site located about 115 km (71 mi) north of modern Minfeng Town (also called Niya) on the southern edge of the Tarim Basin in modern-day Xinjiang, China. The ancient site was known in its native language as Cadota, and in Chinese during the Han Dynasty as Jingjue (Chinese: 精絕; pinyin: Jīngjué). Numerous ancient archaeological artifacts have been uncovered at the site.<br/><br/> Niya was once a major commercial center on an oasis on the southern branch of the Silk Road in the southern Taklamakan Desert. During ancient times camel caravans would cut through, carrying goods from China to Central Asia.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portraits on wooden boards attached to mummies from the Coptic period. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.<br/><br/> Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. 'Faiyum Portraits' is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt.<br/><br/> They date to the Roman period, from the late 1st century BCE or the early 1st century CE onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt.
Palmyra was an ancient city in Syria. It was an important city in central Syria, located in an oasis 215 km northeast of Damascus and 180 km southwest of the Euphrates at Deir ez-Zor. It had long been a vital caravan city for travellers crossing the Syrian desert and was known as the Bride of the Desert.<br/><br/> The earliest documented reference to the city by its Semitic name Tadmor, Tadmur or Tudmur (which means 'the town that repels' in Amorite and 'the indomitable town' in Aramaic) is recorded in Babylonian tablets found in Mari.<br/><br/> The Temple of Bel is an ancient stone ruin located in Palmyra, Syria. The temple, consecrated to the Semitic god Bel, worshipped at Palmyra in triad with the lunar god Aglibol and the sun god Yarhibol, formed the center of religious life in Palmyra and was dedicated in 32 CE.
The ruins of Niya (simplified Chinese: 尼雅遗址; traditional Chinese: 尼雅遺址; pinyin: Níyǎ Yízhǐ), is an archaeological site located about 115 km (71 mi) north of modern Minfeng Town (also called Niya) on the southern edge of the Tarim Basin in modern-day Xinjiang, China. The ancient site was known in its native language as Cadota, and in Chinese during the Han Dynasty as Jingjue (Chinese: 精絕; pinyin: Jīngjué). Numerous ancient archaeological artifacts have been uncovered at the site.<br/><br/> Niya was once a major commercial center on an oasis on the southern branch of the Silk Road in the southern Taklamakan Desert. During ancient times camel caravans would cut through, carrying goods from China to Central Asia.
The small modern town of Keriya is situated on the western bank of the Keriya River. Approximately 180 km north along the Keriya River is the ancient fortified site of Karadong where the world's oldest Buddhist murals have been found. Karadong was abandoned in the 4th century CE.
Sarmatian gold perfume flask studded with garnets, 2nd-3rd century CE. Hermitage. Image released to the press in 2009.<br/><br/> The Scythians were an ancient Iranian people of horse-riding nomadic pastoralists who throughout Classical Antiquity dominated the Pontic-Caspian steppe, known at the time as Scythia. By Late Antiquity the closely-related Sarmatians came to dominate the Scythians in the west.
The Kushan Empire originally formed in the early first century CE under Prince Kujula Kadphises in ancient Bactria on either side of the Oxus River in what is now northern Afghanistan, and southern Tajikistan and Uzbekistan. During the first and early second centuries CE, the Kushans expanded rapidly across the northern part of the Indian subcontinent at least as far as Saketa and Sarnath near Varanasi (Benares) where inscriptions have been found dated to the first few years of the era of the most famous Kushan ruler, Kanishka, which apparently began about 127 CE. The Kushan kings were a branch of the Yuezhi confederation (possibly intermarried with local families) and they had diplomatic contacts with Rome, Persia and Han China. The empire declined from the third century and fell to the Sassanid and Gupta empires.
The Kushan Empire originally formed in the early 1st century CE under Prince Kujula Kadphises in the territories of ancient Bactria on either side of the Oxus River in what is now northern Afghanistan, southern Tajikistan and Uzbekistan. During the 1st and early 2nd centuries CE, the Kushans expanded rapidly across the northern part of the Indian subcontinent at least as far as Saketa and Sarnath near Varanasi (Benares) where inscriptions have been found dated to the first few years of the era of the most famous Kushan ruler, Kanishka, which reportedly began about 127 CE. The Kushan kings were a branch of the Yuezhi confederation (possibly intermarried with local families) and they had diplomatic contacts with Rome, Persia and Han China. The empire declined from the 3rd century and fell to the Sassanid and Gupta empires.
The Kushan Empire originally formed in the early 1st century CE under Prince Kujula Kadphises in the territories of ancient Bactria on either side of the Oxus River in what is now northern Afghanistan, southern Tajikistan and Uzbekistan.<br/><br/> During the 1st and early 2nd centuries CE, the Kushans expanded rapidly across the northern part of the Indian subcontinent at least as far as Saketa and Sarnath near Varanasi (Benares) where inscriptions have been found dated to the first few years of the era of the most famous Kushan ruler, Kanishka, which reportedly began about 127 CE.<br/><br/> The Kushan kings were a branch of the Yuezhi confederation (possibly intermarried with local families) and they had diplomatic contacts with Rome, Persia and Han China. The empire declined from the 3rd century and fell to the Sassanid and Gupta empires.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/> Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.